Quite often those previous experiences have not been positive, and many Bond girls have had sexual violence inflicted on them in the past, causing them to feel alienated from all men-until Bond comes along. Most Bond girls are apparently (and sometimes expressly) sexually experienced by the time they meet Bond. Mary Ann Russell, Judy Havelock, Viv Michel, Tracy Bond (née Teresa Draco, aka Contessa Teresa di Vicenzo). Several Bond girls, however, have normal names (e.g. Conjecture is widespread that the name of the Bond girl in that novel, "Vesper Lynd," was intended to be a pun on "West Berlin," signifying Vesper's divided loyalties as a double agent under Soviet control. Fleming's penchant for double-entendre names began with the first Bond novel Casino Royale. While Solitaire's real name is Simone Latrelle, she is known as Solitaire because she excludes men from her life Gala Brand, as noted above, is named for her father's cruiser, HMS Galatea and Tiffany Case received her name from her father, who was so angry that she was not a boy that he gave her mother a thousand dollars and a compact from Tiffany's and then walked out on her. Names with less obvious meanings are sometimes explained in the novels. The best-known characteristic of Bond girls, apart from their uniform beauty, is their pattern of sexually suggestive names, such as Pussy Galore. (The departure may be due to the unusual circumstances behind the writing of the novel Thunderball, in which Domino appears.) Even Domino, however, wears rather masculine jewellery. In contrast, Dominetta "Domino" Vitali arguably departs to the greatest degree from the template, dressing in white leather doeskin sandals, appearing more tanned, sporting a soft Brigitte Bardot haircut, and giving no indication of widely spaced features. The first description of a Bond girl, Casino Royale's Vesper Lynd, is almost a template for the typical dress as well as the general appearance of later Bond girls she sports nearly all of the features discussed above. Vesper Lynd, Gala Brand, Tatiana Romanova, Honey Ryder, Tracy Bond, Mary Goodnight), and sometimes this is true to an unusual and striking degree: Tiffany Case's eyes are chatoyant, varying with the light from grey to grey-blue, while Pussy Galore has deep violet eyes, the only truly violet eyes that Bond had ever seen. Vesper Lynd, Gala Brand, Tiffany Case, Tatiana Romanova, Honey Ryder, Viv Michel, Mary Goodnight). Their features, especially their eyes and mouths, are often widely spaced (e.g. Their hair may be any colour, though they typically wear it in a natural or casual cut that falls heavily to their shoulders.
(There is some variation in dress, though: Bond girls have made their initial appearances in evening wear, in bra and panties and, on occasion, naked.) Most are white they often sport light though noticeable suntans (although a few, such as Solitaire, Tatiana Romanova, and Pussy Galore, are not only tanless but remarkably pale), and they generally use little or no makeup and no nail polish, also wearing their nails short. They possess splendid figures and tend to dress in a slightly masculine, assertive fashion, wear little jewellery-and that in a masculine cut-wide leather belts, and square-toed leather shoes. īond girls conform to a fairly well-defined standard of beauty.
The eldest Bond girls are Pussy Galore, who Bond speculates is in her early 30s, and 29-year-old Domino Vitali. Bond's youngest sexual partner in the books is Mariko Ichiban, an 18-year-old masseuse in You Only Live Twice. The youngest Bond girl (though she and Bond do not sleep together) may be Gala Brand she is named for the cruiser in which her father is serving at the time of her birth. Examples include Solitaire (25), Tatiana Romanova (24), Vivienne "Viv" Michel (23), and Kissy Suzuki (23). One of these is age: The typical Bond girl is in her early to mid-twenties, roughly ten years younger than Bond, who seems to be perennially in his mid-thirties. While Fleming's Bond girls have some individual traits (at least in their literary forms), they also have a great many characteristics in common.
Nearly all of Ian Fleming's Bond novels and short stories include one or more female characters who can be said to qualify as Bond girls, most of whom have been adapted for the screen. ( February 2016) ( Learn how and when to remove this template message) Relevant discussion may be found on the talk page. This article or section possibly contains synthesis of material which does not verifiably mention or relate to the main topic.
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